Sunday, 31 August 2008

Album review: The Gabe Dixon Band

The Gabe Dixon Band - Till You're Gone



That picture pretty much sums up how I feel about the Gabe Dixon Band. Like Jeff Giles on Popdose.com I got about 20 emails from a promoter and then received an unasked for review copy of the CD in the post. Via airmail. These guys are keen. Like the puppy, these guys really want to be loved. And listening to them is a bit like looking at the puppy: pleasant, inoffensive, even quite charming at times. There's nothing wrong with labrador puppies in themselves. But to me they're dogs for people who plump for the easy option. Why would you have a labrador when you could have an powerful and beautiful german shepherd? Or a super intelligent collie?

The Gabe Dixon Band are the labrador of the music world. They make perfectly pleasant - accomplished, even - piano driven music. This would be completely fine if I'd not heard Ben Folds' finest moments. Let's do a comparison. Lyrics first. The best word to describe Gabe Dixon's lyrics is "earnest". Here's some taken from track 3, "Further The Sky":

When you don't know when you're going and you don't know why
It feels like another day is bleeding into the night
Lay your head on my chest while my beating heart pounds out the secret of this life
The higher you reach, the further the sky
The more miles you walk, the longer the road [etc etc]


Ben Folds does earnest at times but when he does it there's a serious purpose. "Brick" springs to mind: a moving and at times inspired recalling of his teenage girlfriend getting an abortion. Or "Losing Lisa": the story of a girl who commits suicide, writen with complex, allusive lyrics to an ironically upbeat accompaniment. Gabe Dixon's lyrics aren't bad by any means but they are never more than middle of the road retellings of loves lost and gained that use the same old metaphors ("new day dawns" or "highway as metaphor for earning love" - that last one is used twice) that are so generalised as to lose all real emotional connection. The ones I quoted above are fairly typical. There's nothing wrong with them, it's just that we've heard it all before.

The same goes for the music. It's fine. Just fine. Gabe is a very good pianist and the piano sounds lovely throughout but none of the writing is that exciting. The opening track is early Keane through and through, and god knows that's been done enough. Later tracks are better (particularly Till You're Gone, which you can listen to above) but it's a bit like listening to someone driving exactly at the middle of the road - safe and just a little bit boring.* Till You're Gone is as close as Gabe gets to cutting loose and going wild. What really gets me is that Gabe purports to play prepared piano at some point on this album. This has the potential to make things very interesting as prepared piano can sound completely nuts - John Cage wrote a series of pieces called Sonatas and Interludes for Prepared Piano which sounds quite a lot like a Indonesian gamelan - but having listened through the album a few times on various different speakers I still have no idea where the prepared piano comes in. If you're going to use a prepared piano, actually use it. Not making it audible is like taking your hands off the steering wheel to scare your passenger before revealing that you've got a car that can drive itself in the middle of the road just as well.

I feel bad about being mean to Gabe and the labrador puppy. There's nothing wrong with either of them. It's just that as I listen I find myself wanting to be challenged and I never am. The lyrics aren't going to make you reevaluate your life or see something completely differently for the first time and you're never going to get that wonderful thing with challenging music where you initially go "what the fuck?", then suddenly get it, and then it becomes the most exciting thing in your life up 'til now.** Or the thing where you're so dazzled by how well someone plays or how complex a chord sequence is that you're literally mesmerised. Gabe Dixon Band is none of these things.

I wish Gabe well. I'm just puzzled as to why his promotion guys are working the blogs so hard. Most mp3 bloggers are serious to the point of being fanatical about music. They want to be challenged. They want to be inspired. The Gabe Dixon Band is the kind of music they play as the token bit of contemporary on BBC Radio 2 in the daytime. Mp3 bloggers want BBC 6 Music, or at least late night BBC Radio 1. This is the only time I'm ever going to give advice to promotional people - BBC Radio 2 is where it's at for the Gabe Dixon Band. It's not that there aren't people out there who aren't going to love this music, it's just not the bloggers.

To be honest, it's my mum.

*Actually, that middle of the road metaphor doesn't really work, does it? I mean if you're right in the middle of the road, half of your vehicle is in the wrong lane causing havok.
** That's 'til, Gabe, not till. A till is something you put cash in. EDIT: Turns out I'm wrong about that. Apologies.

Saturday, 30 August 2008

Jesse Dee - Alright



This is the opening track to Boston based soul man Jesse Dee's wonderful debut album, Bittersweet Batch. It's like a contemporary summing up of everything that was great about soul music. Funky bass lines, throbbing hammond organs, great big band writing, good lyrics sung with feeling. And boy, Jesse sure can sing. His voice can be delicate or powerful, soft or harsh, and he can jump an octave apparently without thinking. Highly recommended.

Jesse Dee - Alright

Thursday, 28 August 2008

Monsters are Waiting - I Wanna Be Adored

Los Angeles based Monsters Are Waiting have a new EP out called "Ones And Zeros". I haven't yet heard the whole thing but the title track is currently spinning through my head like a catherine wheel in a gale (you can check out the video at the bottom of the post) and if that's any indication it should pretty awesome. Here's a preview of the EP, track 5 of 6, a mental cover of The Stone Roses' "I Wanna Be Adored". You can preorder it on their website (I never understand why bands don't do this more often).

Monsters Are Waiting - I Wanna Be Adored (alt)

Monsters Are Waiting - Ones and Zeros

Wednesday, 27 August 2008

The Bamboos - King of the Rodeo (Kings of Leon cover, feat. Megan Washington)

Oh my good god this is funky. Since listening to that documentary about Brian Wilson's production methods yesterday and hearing the hammond close up I'm thinking there should be more funky organs. I might just have to purchase one. Anyway.

The Bamboos are "Australia's premier Deep Funk outfit", or so gushes last.fm. I'll be honest, I've never heard of them before today but I caught this track on Gary Crowley's show on 6 music just now and fell just a little bit in love. I shall find out more and report back.

The Bamboos - King of the Rodeo (feat Megan Washington) (alt)

Tuesday, 26 August 2008

The Beach Boys - I Know There's An Answer

I was originally going to post this track because I think the bass harmonica solo is fucking awesome, but I was just reading the lyrics and noticed how rich they are. Could Brian Wilson's words be addressed to himself? Either way, he's a very talented lyricist.

EDIT (30/08/08): Embarrassingly, Brian Wilson didn't write the words, Mike Love and Terry Sachen did. Noone told me this, I just happened to wonder about it about a week after writing the post. Goddamn. Still, bloody good lyrics!


I know so many people who think they can do it alone
They isolate their heads and stay in their saftey zones

Now what can you tell them
And what can you say that won't make them defensive

I know there's an answer
I know now but I have to find it by myself

They come on like they're peaceful
But inside they're so uptight
They trip through their day
And waste all their thoughts at night

Now how can I come on
And tell them the way that they live could be better

I know there's an answer
I know now but I have to find it by myself

Now how can I come on
And tell them the way that they live could be better

I know there's an answer
I know now but I have to find it by myself
The Beach Boys - I Know There's An Answer (or here)

EDIT: There's a fascinating and in depth documentary available on the BBC iplayer from a couple of days ago about Brian Wilson's record producing technique - clicky here.

Saturday, 23 August 2008

Radiohead - Idioteque

Who's in bunker?
Who's in bunker?
Women and children first
And the children first
And the children
I'll laugh until my head comes off
I'll swallow till I burst
Until I burst
Until I

Who's in bunker?
Who's in bunker?
I have seen too much
You haven't seen enough
You haven't seen it
I'll laugh until my head comes off
Women and children first
And children first
And children

Here I'm allowed
Everything all of the time
Here I'm allowed
Everything all of the time

Ice age coming
Ice age coming
Let me hear both sides
Let me hear both sides
Let me hear both
Ice age coming
Ice age coming
Throw them in the fire
Throw them in the fire
Throw them in the

We're not scaremongering
This is really happening
Happening
We're not scaremongering
This is really happening
Happening
Mobiles quirking
Mobiles chirping
Take the money and run
Take the money and run
Take the money
Radiohead - Idioteque (alt)

Friday, 22 August 2008

Eels - P.S. You Rock My World

I confess, I've barely listened to anything but Frank Bango since I got his album, so I'm finding it hard to think about any other music. HOWEVER. I'm posting this track because some of his lyrics remind me of the Eels. You'll need to read yesterdays post if you're not sure what I'm on about - Frank Bango is very highly recommended.

E of the Eels has had a very dark life and is very capable of dwelling on it - there have been a couple of times when I confess to having found him a bit self-indulgent - but can be brilliant and he's at his best where he works through all the shit to get to some kind of optimism. That's the basic narrative of two of his albums, most obviously the most recent one, Blinking Lights and Other Revelations, but also 1998's Electro-shock Blues, which opens with the destitute "Elizabeth on the bathroom floor", the lyrics of which were assembled from the diary of E's late sister Elizabeth - she had committed suicide. Choice lyric: 'My name's Elizabeth / My life is shit and piss'.



I'd argue that Electro-shock Blues is the best album E has ever produced, partly because the lyrics and music are great all the way through, but due in large part to fact that there's a really coherent narrative in which you can follow E's reaction to his sister's suicide (and other horrid happenings). It literally goes from dark to light - via mental. "P.S. You Rock My World" is the final track and what a way to go out.

Eels - P.S You Rock My World (alternative download location)

I was at a funeral the day I realised
I wanted to spend my life with you
sitting down on the steps at the old post office
the flag was flying at half mast
and I was thinkin' 'bout how everyone was dying
and maybe it is time to live

I don't know where we're going
I don't know what we'll do

walked into the thrif-tee
saw the man with the hollow eyes
who didn't give me all my change
but it didn't bother me this time
'cause I know I only got this moment
and it's good

I went to the gas station
old woman honked her horn
waiting for me to fix her car
I don't know where we're going
I don't know what we'll do

laying in bed tonight I was thinking
and listening to all the dogs
and the sirens and the shots
and how the careful man tries to dodge the bullets
while a happy man takes a walk
and maybe it is time to live